EventsMusic
Nmperign and Jake Meginsky: Selected Occasions of Handsome Deceit - LP
Rel Records $18.00
Lossless Download iTunes
Bhob Rainey - Soprano Saxophone
Greg Kelley - Trumpet
Jake Meginsky - Percussion
Lossless download is $3 (or more, if you like).
The motive behind improvising with new players is frequently to find a new music in yourself. Sometimes, this new music is found in a struggle, where opposing approaches attempt to meet in a play between power and tolerance. More rarely, the new voice simply causes the music to appear - no struggle, all play. The music happens to you, and you just stay out of its way.
When Nmperign met with Jake Meginsky, the music happened to us. Participation was pure joy. Even with long silences and sudden changes, there was always the sense of being carried by a purposeful force. For me, this single, 14-minute piece conveys that force. I couldn't imagine it surrounded by other music. It warrants its own platter; a single object for a singular moment. I hope you enjoy it.
All LP purchases come with a download code for the lossless file, which can also be purchased separately for $3 (or more).
From the label:
REL012 is the recorded debut of the trio Nmperign with Jake Meginsky. Pressed on 160 gram copper plate mastered vinyl, REL012 features Nmperign in an energized, turn-on-a-dime form. Prodded by Meginsky into unnamable, angular textures, the trio is agile and unpredictable, occupying musical extremes with intelligence and grace. REL012 is a one-sided LP cut to 45 for Maximum Dynamic range. Featuring a striking cover, designed by Eli Keszler, printed by Ashley Paul. A light blue fold-over paper is integrated in to a heavy picture disc sleeve, labeled with a color sticker. Screened notes are featured on the inside. REL012 is a one-time, hand-numbered edition of 300 copies.
Listen on Last.fm
Reviews:
"Not your typical nmperign set here. Meginsky (x.o.4) pushes Greg and Bhob into more expressive territory than they usually inhabit. Some of my favorite parts are the sudden cut-to-the-corner-of-the-mountain builds that sweep up the whole murky foundation that has just been laid and replaces it with an in-the-clouds outlook on lost and found. That is not to say by any means that the record is without the constraint that one expects to find on an nmperign release. Lots of angles and textures, lots of space, lots of listening going on here. The session moves in and out of crawling excursions, lifts, and utter cut-it-loose drop-offs into high flood and pitch wail on the ground zones. All three of these musicians have the ability to come in and out of positions with the utmost clarity and commitment, while at the same time maintaining the freedom to go wherever the other two are taking them. The stakes are high - no question - but the overall tone is collective rather than being adversarial. Consistently surprising.
Plenty of space here for the sonic alchemy to do its thing, but matched with an equally strong presence; an aggression and timbral blending that beats in and out from organic/wet to fine/dry to straight electronic. Don't be mislead, this is an acoustic set with all hands on main guns (Meginsky - Percussion, Kelly - Trumpet, Rainey - Soprano Sax). But the recording nevertheless conjures the ethos of electronic music. The sharp cut-offs seem mechanical at moments, the out-of-nowhere slices of sound float in with a purity of tone that is uncanny. At points the recording sounds invaded by burnt circuits, ever so gently humming or buzzing in the frame. Sometimes nmperign sound like they are sampling environmental sounds. But of course, they are just playing their instruments (the way only they do). Yes, these guys are that good.
And at the same time, they manage to side-step the treacherous pit of acoustic chamber improv cliche completely. The work here is visual - child swinging on the rusty solo swing at the back lot after a lot of rain - strange, careful stockhausen monsters looking on at dawn, or is it dark, it all works whatever; but it also works on the, "just what it is, cut and dried, no strings attached, flat, fragrant sound" level too.
14 minutes of really, really good music."
- Asher Woodworth, Total Waste Academy
"Some of my favorite records play well at both speeds (and if I happen to have the right turntable, some are downright demonic at 16), so I'm going to review Selected Occasions at both speeds. 33: A gurgling spread of trumpet (Greg Kelley) and soprano sax (Bhob Rainey) squeaks molded out of untangible textures and Meginsky's anything-but-percussive percussion. 45: Busy, unpredictable free-improvisation from a duo whose chemistry could coax shimmering terror out of a feather boa. When Meginsky does strike something resembling a cymbal, it's a shock to a system, disrupting yet inspiring pulsed breathing and piercing anti-note flutters."
- Lars Gotrich, NPR
